Posts Tagged “HD”

[digg=http://digg.com/movies/Cloverfield_BD_and_DVD_Bonus_field_issues]

While I rarely go out to the movies (because of my awesome home theatre setup), I did see Cloverfield in the theatre. Like many others, I wasn’t a fan of the extreme shaky-cam which literally left me nauseous. I need to start with my opinion on the camera shake choice – because it’s relevant to what’s happening with the bonus features: I feel that they could have toned down the amateur-home-video-shake and still conveyed the cinéma-vérité “real found footage” feeling. I loved the idea of the movie and was impressed with the execution, but hated the over the top shaky-camera work. It made the movie very difficult to watch and therefore less fun. However, it was an artistic choice on the part of the filmmakers.  Whether or not I agree with it’s necessity and/or effectiveness – it was technically correct.  It was their choice.  And even though I found that choice very annoying, I still looked forward to getting the movie on Blu-ray to get more info about the cloverfield mythology and see all the bonus features.

Well, the bonus features are harder to watch than the movie – and this time it was NOT an artistic choice…

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I got an email today from SlySoft, the makers of the DVD, HD DVD and Blu-ray “backup” software called AnyDVD HD, stating that they are changing their business model. Starting Jan 1, 2009 they are moving to a yearly subscription fee for software updates.  No information is available yet as to how much the subscription renewal fee will be, however they did say that current owners of the software will continue to get free updates.  The new policy only applies to customers who purchase after the end of this year, and they are offering a 20% off incentive to purchase now and get a lifetime of updates.  Here’s what the email (and their website) says: Read the rest of this entry »

Back when I first started this blog I had the theme of “out with the old and in with the new” and it started with the upgrade of my old G5 to a new Intel 8-core PowerMac. In that early post I mentioned the Dell Ultrasharp 2408WFP because it has loads of inputs including the new DisplayPort connector Apple has sort-of recently embraced. I believe that the writing is on the wall that DVI will eventually be on the outs and any monitor I invest in these days needs be ‘future proof.’ So during the black days after Thanksgiving I ordered one and it arrived today!

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Has anyone else noticed lately that the industry hasn’t quite figured out the whole 4:3 vs 16:9 thing? This is one of many ads I saw last night during Chuck that completely ignored the fact that the majority of american televisions are still 4:3.  I have an original HD DirecTV Tivo and an HD projector. I don’t get local channels in HD yet and was watching the 4:3 NTSC feed of Chuck.  I don’t know if DirecTV is just taking the HD feed and cropping the sides off or what.  But either way, it is the responsibility of the people making the ads to protect any important information inside of 4:3 title safe.  (By that I mean the Editor or the Producer or the Ad Agency or the dude at Microsoft who said “sure that looks awesome”)  In this case (see photo) the Windows ad “Life Without Walls” the “S” is completely cut off and on most TV’s the word “WALL” would also be cut off due to the 10% action safe. In another major ad last night the on the screen talent was half outside of 4:3 safe – literally one eye on screen and one off.  Again on an older TV that probably means you can only see his arm flapping around.

Here’s a message to the dude (or chick) at Microsoft who paid millions of dollars for that mess… if the majority of people watching the ad can’t see the last half of your tag line, how is your message getting across?  Surely the tag line “Windows – LIFE WITHOUT” is not what you were hoping to communicate.  But that is the message that 80% of viewers saw Monday night.  Maybe you need a new editor/producer/ad agency to give millions of dollars to. Call my people and we’ll talk.

You may have noticed this ad on my sidebar for the Sony HD-RTG1.  I hand picked that ad because it seemed like a great semi-pro video camera.  It is reasonably priced, records HD video to a memory stick, and is small enough to fit in your pocket.  It might not be as professional as a higher end camera, but it seems like a good backup camera or b-camera.  Rob Kelly used it on a recent realty shoot to get extra footage.  The size and convenience makes it perfect to get shots that would otherwise be missed.

The video file format is AVCHD. How does that fit into a pro video producer/editor’s workflow?  It seems to be becoming the consumer format of choice for all the new cameras.  How do we deal with this footage?

On a recent outing Rob shot some footage for me with his HD-RTG1. The clips created have a .MTS extension.  With other video cameras you end up with a folder full of .AVI or .mpg clips.  But with AVCHD cameras you get an entire BDMV folder structure that looks suspiciously similar to that of a BluRay disc.  Just in case I needed it, I copied the whole directory structure to my drive. (well, mostly)

Lets define the rules of the game: Read the rest of this entry »